Saturday, November 24, 2012

The Great Freeman Dyson...

The fringe of physics is not a sharp boundary with truth on one side and fantasy on the other. All of science is uncertain and subject to revision. The glory of science is to imagine more than we can prove. The fringe is the unexplored territory where truth and fantasy are not yet disentangled. Hermann Weyl, who was one of the main architects of the relativity and quantum revolutions, said to me once, “I always try to combine the true with the beautiful, but when I have to choose one or the other, I usually choose the beautiful.” Following Weyl’s good example, our string cosmologists are making the same choice.

Wednesday, November 21, 2012

BRIAN DOMITROVIC To the Randians of All Parties Why Ayn Rand’s economic arguments make sense—and why they’re ignored 19 November 2012

r goals of The authors endorse the Randian argument that remarkable people need extra space to achieve self-realization. Their capacities are larger than most people’s, their horizons broader, and their scope of impact more vital—so get out of the way, government. And when remarkable people succeed in business, the authors note, the public benefit is often immense. But such people aren’t greedy, according to the authors. Rand described the motivation of businesspeople and entrepreneurs as “rational selfishness,” and Yaron and Brook elucidate Rand’s view that purely acquisitive or “greedy” types are not rationally self-interested—that they haven’t thought fully about the propelife.

Thursday, November 8, 2012

On the Hold Shelf Double Entry by Jane Gleeson-White and Mr. Penumbra's 24-hour Bookstore by Robin Sloan


PW Reviews 2012 August #1
For those who fear that the Internet/e-readers/whatever-form-of-technological-upheaval-is-coming has killed or will kill paper and ink, Sloan's debut novel will come as good news. A denizen of the tech world and self-described "media inventor" (formerly he was part of the media partnerships team at Twitter), Sloan envisions a San Francisco where piracy and paper are equally useful, and massive data-visualizationâ€"processing abilities coexist with so-called "old knowledge." Really old: as in one of the first typefaces, as in alchemy and the search for immortality. Google has replaced the Medici family as the major patron of art and knowledge, and Clay Jannon, downsized graphic designer and once-and-future nerd now working the night shift for bookstore owner Mr. Penumbra, finds that mysteries and codes are everywhere, not just in the fantasy books and games he loved as a kid. With help from his friends, Clay learns the bookstore's idiosyncrasies, earns his employer's trust, and uses media new, old, and old-old to crack a variety of codes. Like all questing heroes, Clay takes on more than he bargained for and learns more than he expected, not least about himself. His story is an old-fashioned tale likably reconceived for the digital age, with the happy message that ingenuity and friendship translate across centuries and data platforms. Agent: Sarah Burnes, the Gernert Company. (Oct.)
[Page ]. Copyright 2012 PWxyz LLC

Saturday, November 3, 2012

Fortune: Everyone seems hungry to make a fortune, but on nearly every occasion the word ‘fortune’ pops up, it refers not to the treasure, but to chance, to accident, to people committed to pushing their luck. In this book, a fortune isn’t always something you are pleased to take possession of Kids Gone Rotten,by Matthew Bevis,London Review of Books

 Everyone seems hungry to make a fortune, but on nearly every occasion the word ‘fortune’ pops up, it refers not to the treasure, but to chance, to accident, to people committed to pushing their luck. In this book, a fortune isn’t always something you are pleased to take possession of Kids Gone Rotten,by Matthew Bevis,London Review of Books

Monday, October 22, 2012

Other blogs I have...

http://greatpyrenesssightingsnyc.blogspot.com/about Great Pyrenees dogs http://gardendesignpsycharch.blogspot.com/my garden design http://bestofpsycharch.blogspot.com/my favorite drawings http://christainpsychedelicarchitecture.blogspot.com/my Christian art http://psychedelicarchitecture.blogspot.com/all of my art... 

Saturday, October 20, 2012

Another Quote...

 The Romantics are read because schools are not very successful in linking discipline to creative thought.

A Quote from Malcolm Muggeridge.

It is only possible to succeed at second-rate pursuits - like becoming a millionaire or a prime minister, winning a war, seducing beautiful women, flying through the stratosphere or landing on the moon. First-rate pursuits - involving, as they must, trying to understand what life is about and trying to convey that understanding - inevitably result in a sense of failure. A Napoleon, a Churchill, a Roosevelt can feel themselves to be successful, but never a Socrates, a Pascal, a Blake. Understanding is for ever unattainable. Therein lies the inevitability of failure in embarking upon its quest, which is none the less the only one worthy of serious attention. “ 
Malcolm Muggeridge.

Friday, October 12, 2012

A Classic,from"The Third Man"

In Italy, for 30 years under the Borgias, they had warfare, terror, murder and bloodshed, but they produced Michelangelo, Leonardo da Vinci and the Renaissance. In Switzerland they had brotherly love, they had 500 years of democracy and peace - and what did that produce? The cuckoo clock." 
A major stream of human accomplishment is fostered by a culture in which the most talented people believe that life has a purpose and that the function of life is to fulfill that purpose.Charles Murrary

Another quote:


This art is about a certain kind of romantic tosh, a false idea of what the world is like that gets into little girls' heads before they are mature enough to know the truth. What is original about Kilimnik is that she doesn't dismiss this stage of growing up: she treasures it.
Had there been a particle of cynicism in all this, I'd have hated every second of the Serpentine show.
But I genuinely believe that in her dotty way this strange artist responds to a beauty she sees in European culture that eludes most of us who live here. Kilimnik is one step away from being an outsider artist.
You don't judge her work by its skill or technique but by the authenticity of its vision

A Good Quote...

We live in a wonderful world that is full of beauty, charm and adventure. There is no end to the adventures that we can have if only we seek them with our eyes open. ~Jawaharlal Nehru ~ 

Thursday, September 27, 2012

What would an American Aristocrat look like?


THIS WAS AN ARTICLE WHICH CAME OUT YESTERDAY IN THE NEW YORK SUN NEWSPAPER. AMAZING

Paris Theodore, 63, Inventor of Spy Weaponry
By STEPHEN MILLER Staff Reporter of the Sun
Paris Theodore, who died November 16 at 63, was a holster-maker, gun inventor, and clandestine manufacturer of weapons meant to kill men without leaving a trace.
With a secret laboratory located behind a safe at his Seventrees, Ltd. holster shop in the garment district, Theodore evoked comparisons to a fictional master of lethal gadgetry, Q, from the James Bond books. If the stories told by associates and family contain even a few grains of truth, the comparison would have to include 007 himself, because many people think Theodore worked as an assassin for government agencies so secret they don’t even have names. He never told.
Government documents show that he was specially exempted from all provisions of the National Firearms Act, which was necessary for pursuing research into his “Uzi in a briefcase” — a gun that could fire from within a briefcase. He developed a working cigarette lighter that would spray three .22 rounds in a pinch. He called it a “Zappo.” For the FBI, he produced a clipboard to be used by a hostage negotiator that could fire a dozen rounds.
But Theodore’s most important invention may have been the ASP pistol, a sleek, lightweight, 9 mm handgun that became de rigueur for government agents needing a concealable weapon. First produced in the early 1970s, the ASP (named for a subsidiary company, Armaments Systems Procedures Corp.) became a gun world legend for innovations like its clear Lexan window in the stock, which allowed the user to determine how much ammunition was left, and the “Guttersnipe” sight, a beveled channel running down the top of the gun.
“It was the first service-caliber sidearm in pocket size,” a former Army lieutenant colonel who served in Special Operations Forces in Vietnam and later became an instructor in specialized weaponry at Fort Bragg, N.C., Rob Jones, said. “All of a sudden today the gun market is filled with subcompact weapons in service calibers.”
Mr. Jones and others also credit Theodore with challenging decades of conventional wisdom, epitomized by human-profile shooting targets with a bull’s eye on the chest, about the best place to aim to stop a foe. Theodore insisted that it was better to aim for the central nervous system — the spine, the head, and the medulla oblongata at the base of the skull.
“There is no such thing as knockdown power. It is a figment of the collective imagination of the Hollywood scriptwriters,” Theodore once wrote, addressing the common misperception that the sheer force of a .45 slug can knock a man down.In 1985,he patented parts of what became known as the Quell system, a shooting protocol that included a distinctive,two-handed shooting pose and a line of targets with vital areas outlined.
“He was essentially an artist,” said Michael Hershman,president of the Fairfax Group,an international global intelligence and investigative security company based in Virginia. “That gave him a perspective that others didn’t have. If he was working with a poison, what sort of vehicle would transport it best?”
Theodore had several answers to that question, including a bee-sting antidote kit, a tube of toothpaste, and a single strand of fiber optic cable fired into a victim’s scalp.
But then Theodore came from a creative family. His mother, Nenette Charisse, was a vaudeville dancer and ballet instructor, and his aunt, Cyd Charisse, was a dance legend. His father, John Theodore, was a sculptor and art professor, and his stepfather, after his parents divorced, was Robert Tucker, a choreographer.
Paris Theodore took up painting and also appeared on Broadway as the character Nibs in the 1954 production of “Peter Pan,” starring Mary Martin. He was paid $15,000 for four months’ work, his son Ali Theodore said. It was the last money he ever earned that the IRS was aware of, yet somehow he managed to raise a family on Park Avenue.
Shortly after graduating from the Browning School, Theodore was apparently recruited as a courier by clandestine services. Stories from ensuing years link him to violent encounters in Greece, Africa, and Vietnam, although nothing can be verified. In Czechoslovakia, a longtime friend at a large metropolitan police department, Steve Minguez, said,Theodore was wounded, captured, and then escaped.
Part of the reason he was involved in so much violence,Mr.Minguez said,was that the clandestine services leaked his name while using him as a decoy to cover for other operations.“They were surprised when he came back.”
By 1966, perhaps tiring of the danger,Theodore founded Seventrees, Ltd. Soon he was producing innovative holsters, as well as all sorts of what were called “unique defense devices.”There were binoculars that could shoot .38 rounds, gun silencers, knives that attached to the soles of shoes, and a type of explosive that acquaintances said would detonate in total silence.
Theodore did business with multiple government agencies and also sold holsters and weapons to police officers and people with jobs in private security. But the clandestine weapons work was more or less ended by the Church Committee hearings into CIA operations in 1975.Theodore testified, but in a closed session.
Mr. Hershman of the Fairfax Group escorted Theodore to the session.When they came to the metal detector outside the Senate office building, Mr. Hershman said,Theodore balked — normally he was permitted to walk around metal detectors, but not here. “I’m packing,” he told Mr. Hershman. Irritated at this breach of protocol,Mr.Hershman asked him where he had secreted the weapon. “It’s behind my tie,”Theodore said.
His weapons lab shut down,Theodore began working on gun training, and also filed lawsuits against manufacturers for infringing on his gun and holster patents. In the late 1980s, he was diagnosed with multiple sclerosis and spent most of the past decade bedridden.
One of his sons, Paris Kain, has been putting together a documentary of what can be reconstructed about his father’s shadowy career. In it, Theodore, speaking with effort, confirms practically nothing about his covert missions. But when discussing his contributions to unique defense devices, he smiles broadly and proclaims, “I was Q!”
Paris Theodore
Born January 9, 1943, in New York; died November 16 at St. Luke’s Hospital in Manhattan of complications from multiple sclerosis; survived by his sons, Ali Theodore, Said Theodore, and Paris Kain. His wife, Lee Becker, a well-known choreographer, died in 1987

Saturday, September 22, 2012

What would an American Aristocrat look like?

She's red,she rides-what else do you need to know?

What would an American Aristocrat look like?

Sir Patrick Michael Leigh Fermor, DSO, OBE (11 February 1915 – 10 June 2011) 

My Kind of War...Double Cross by Ben Macintyre

PW Reviews 2012 May #2
"Any method of seeking the truth can also be used to plant a lie." Therein lies the root of the brilliantly dangerous Allied plan (which MI5 called Double Cross)â€"recounted by Macintyre with the same skill and suspense he displayed in Operation Mincemeat and Agent Zigzagâ€"to throw off the Germans and launch an assault at Normandy on June 6, 1944. The key to the planâ€"convincing Germany that the impending attack would come either at Pas de Calais or in Norwayâ€"was the careful manipulation of five double agents, each feeding misinformation back to their German handlers. Polish zealot Roman Czerniawski volunteered his services to his German captors, only to defect to Britain and become "Agent Brutus." Serbian playboy Dusan Popov ("Agent Tricycle") became one of MI5's most prized assets. Failed Catalan chicken farmer Juan Pujol ("Agent Garbo") badgered both German and British intelligence services into accepting him, eventually becoming the linchpin of the D-Day ploy. Lily Sergeyev ("Agent Treasure"), a high-strung Frenchwoman, had the opportunity to blow the whole operation with a single punctuation mark, while Elvira de la Fuente Chaudoir ("Agent Bronx") transformed from a gambling Peruvian society girl to solid double agent. Macintyre effortlessly weaves the agents' deliciously eccentric personalities with larger wartime events to shape a tale that reads like a top-notch spy thriller. 

Wednesday, September 5, 2012

Oh,Yumm!

But in 1834 the Quarterly Journal of Education reported that "before an Eton boy is ready for the University he may have acquired . . . a confirmed taste for gluttony and drunkenness, an aptitude for brutal sports and a passion for female society of the most degrading kind, with as great ease as if he were an uncontrolled inhabitant of the metropolis." 

Wednesday, August 1, 2012

Joseph Campbell

One thing that comes out in myths is that at the bottom of the abyss comes the voice of salvation. The black moment is the moment when the real message of transformation is going to come. At the darkest moment comes the light.  — Joseph Campbell

Monday, July 30, 2012

Delacroix

Without boldness, and extreme boldness, there are no beauties. One must dare to be oneself. One must be very bold. Thus one has to surpass oneself, in order to be everything one can be… There can be no rules for great souls; rules are only for those who have merely a talent that can be acquired—not for genius… The most sublime effects are often the result of pictorial license. For example, the unfinished appearance of Rembrandt’s works, and the exaggerations in Rubens. Mediocre men never have such daring, they never go beyond themselves. Method cannot supply a rule for everything, it can only lead everyone to a certain point.                                    Besides having generally conservative instincts, the painter was also a classicist, a solitary, a talented writer and an altogether engaging man. In John Russell’s words, “Delacroix in his Journal is one of the most cogent arguments for the human race. That we are in the company of a great man is never in doubt. But whereas not every great man gains from proximity, or can usefully be studied in isolation from his work, Delacroix the diarist begins with our respect and ends, just on half a million words later, with our unbounded affection. Incomplete as they are, his diaries rank among the fragmenta aurea of European civilization. They are passionate but not scabrous, worldly but not heartless, intimate but not indiscreet, animated but not rackety, profound but not ponderous, discursive but not self-indulgent. Above all, they are truthful and direct.”

Monday, June 18, 2012

Couldn't say it better myself ...



A Weakness for Royalty

Saturday, June 16, 2012

A Good Quote...

Eccentricity is not, as some would believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd. Edith Stiwell


Saturday, June 9, 2012